Slide into Digital

You’ve got 10,000 color slides that your parents asked you to digitize over the weekend, eh?

Here are your options:

  1. Throw them on your flatbed scanner. (click: Scanner Comparisons)
  2. Get out the old carosel and take a picture of your projected image.
  3. Get a “direct copy attachment” for your digital camera and take a photo.
  4. Pay someone else (20 cents to 5 bucks a slide) to do it. (click:  Original Lars Bell Comparison  or PDF or Excel

 I am a great advocate of option number four. You will likely spend a minimum of a three minutes per slide. This does not include the time setting up your scanner, blasting the slides with air, doing the digital clean up work required  to get all the specks of gunk off them. Here are some thoughts about that from Dave Dyer at Andromeda Camera:

  •  It’s never too soon to start preserving your analog photos, and it may already be too late.  In the process of scanning my archives, most of which have been in unopened boxes or untouched negative sleeves for up to 40 years, I found:
    • Negatives which had glued themselves to their sleeves.
    • Strange snowflake-like artifacts on negatives, which were NOT present on the original prints made from them.
    • Slides which were developed by drugstore-type services, which had faded very badly, where the same film type processed by other processors at the same time were still fine.
  • Remember that resolution isn’t everything. Color and contrast are equally important, and depending on the intended use of your scans, any of these methods might be ok.  However, the best results are clearly obtained using slide scanners.
  • The Achilles heel of this process is cleaning. Literally microscopic specs of dust become asteroids when scanned at 2400 dpi.  Newer scanners which use ICE technology to remove the dust are wonderful – but remember that ICE is only papering over the crud, not removing it.   Except for slides with serious gunk (such as fingerprints) I recommend cleaning using compressed air, an antistatic brush, and careful attention.  Even a quick blast helps a lot.   For slides with serious problems, I use Pec-12 and Pec Pads.  They’re not miracles either, but they help.   The best solution, of course, would be to never get your slides dirty, but that’s not a realistic prospect.  Even slides that have never left their box seem to accumulate dust from somewhere.
  • Converting color negatives is much harder due to the orange mask and compressed dynamic range.  Flatbed scanners and Digital cameras are just not adequate.

60 slides will take 3 hours. The same 60 slides will cost  about $18-$45 for most folks. Money well spent!

Posted in Amusement, Editorial, Education, Repost From Cited Source, Resources, Vocation & Profession

Moveable Feast, The Morning After

Inspiration, that quick breath of insight, aligns not with clocks or calendars. How then should one build a creative career? How will deadlines be met? How can deliverable schedules even be written? It’s all a bit like whispering to no one in particular that you need five logo comps by next Thursday and waiting, hoping, something presentable will show up in time. It’s no way to run a profession! [Un]fortunately, this is exactly the way our vocation works.

Dead ends happen. Ideas stop coming. Unless you learn to sense the logic of your own genius-daemon, you will not make peace with your calling. Getting stuck means that something tantalizing is about to surface. If you want to be there when that happens, stop clicking your mouse, moving your pencil and running your mouth. Show up. Let go. Pay attention. Squeezing associative sparks into a work-a-day timetable can only happen if you don’t squeeze them at all.

Show up.
  • Follow a schedule, any schedule. Having a rhythm in your life allows you to recognize windows that tend to offer up more creativity. Find them and use them.
  • Purposefully learn something every day. Keeping the gears going is vital to your success in the vocation. Learn about [mohair coats / concrete manufacture / Hellenic Greece / the little shea-pets that make the butter]. It doesn’t matter what you learn. If it is interesting, your brain will keep it kicking around and connecting with other odd bits until it proves useful.
  • Fish with a net, not a line, for good ideas. Thumbnails, comping, brainstorming with good collaborators and concept diagrams are among the most useful practices year to year. Ideas grow ideas. New things often come from known waters. Just the act of casting the nets helps.
Pay attention.
  • Start jotting down irksome questions and put them where you can see them every day. You will begin to pay attention. For example:
    • How come NetFlix takes 3 days to get here but only 2 to go back? Perhaps, in your effort to know why, you learn more about the local delivery schedule, or discover your postmaster has a funny last name, or learn that engraved stamps use special papers or see that your mail carrier has sewn fuzzy, lime green fleece inside of her jacket. You never know where these little shards will take you on that next project… perhaps a button-down, blue gabardine, corporate website with a fuzzy, young, green, youth-demographic interior? And it’s all thanks to your NetFlix obsession.
    • Here’s another: Are you often hitting your stride about 2:00pm when your [boss wants to meet / kids need to be picked up / wife gets home / dog throws up]? Good! Now you know something about yourself. Either you either work well after lunch or under deadline. Change your schedule or meals to accommodate.
  • Paying attention also means paying attention to when your head needs a break. Get out of your [studio / bedroom / coffee shop / office] and go for a walk. 15 minutes + no thoughts of your project + the feeling of [sunshine / hail / rose petals] on your face = change of creative direction. Get up. Watch. Walk. And buy me a coffee while you’re out, dammit.
Trust uncertainty.
  • Our society likes scientists, preachers and movies with tidy endings. Don’t we all? It’s easier. The surety of the quantifiable, the deductive and the climax are inherently stabler. Design is a full tank of gas. Just drive.
  • Life is a game of chance and initiative. That said, your beliefs about (and your trust in) the outcomes shape the actions you take as you go along. Don’t concentrate on things outside of your control. Your work will be done by deadline if you believe it will be. You will take the time to make sure it meets your expectations. Trust the certainly that an uncertain process will produce and it will.
  • Mathematics tells us that if you have five actions that are each only 50% likely to succeed you will get something like 95% success if you put them together. For example, flip a coin five times and there is a 95% certainty of getting heads at least once. Uncertainty is certain. Go for walks AND thumbnail AND ask questions AND comp AND believe you will find the answer AND brainstorm with others AND diagram AND ask stupid, little, irksome questions. Cast your net. Improve your chances. Be there for the spoils.

Design is a vocation. You must be called to do it, forced into it by temperament, really. When you’re in the moment and doing the work, there’s nothing sweeter. You carry the remembrance of those lush moments with you. Even in a trough of inspiration you can cultivate the extraordinary. Design (the action and the thing) is a moveable feast.

Posted in Amusement, Course Related, Education, Resources, Visual Concepts, Vocation & Profession

Typographic WTF!

Illegibility is NOT ok. Seriously. Stop doing this.

Picture 4

Let’s review, shall we: Illegibility works in service of concept. It works in service of idea. It does NOT work as a purely stylistic element. If you have to “explain it” you’ve lost the argument. Advertising design is the conservative wing of design. Try to push it and it breaks down, becoming either propagandistic or derivative. So,  STOP IT!

Posted in Amusement, Course Related, Design History, Design Theory, Editorial, Typography, Visual Concepts

Google Docs Support for Adobe CS

CS5Header

Now you don’t need to buy the Creative Suite to design like you mean it. The major programs, including Bridge, are fully supported in Google Docs. (Google documents already allowed you to read and write Microsoft Office, Powerpoint, Excel and FilemakerPro documents.) Life just got cheaper.

Here is how you use it:

1. Open your gmail account. (Yes, there is always a hitch. You do need a gmail account.)

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2. Click on “Documents.”

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3. Open the program format you wish to use.

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4. Have at it.

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No word yet on CS5 compatibility.

Posted in Amusement, Education, Repost From Cited Source, Resources, Vocation & Profession

Your Screen Lies.

CalibrateIt’s easy and fun to get your OSX running computer’s screen somewhere in the realm of press reality.  In ten easy steps you can align your color expectations without fancy gizmos or excessive cost. But wait! There’s more! Once you see just how little your screen represents printed reality you will come to the realization that, like a philandering politician, your screen lies. It lies. It lies. It lies.

How-to demo here: Calibration Steps

Calibration file here: Calibration Chart

Best of luck and remember what we’ve learned here today. Your screen lies.

Posted in Course Related, Education, PrePress, Resources, Vocation & Profession